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Ebook Notebooks 1951-1959 by Albert Camus read! Book Title: Notebooks 1951-1959
The author of the book: Albert Camus
Language: English
ISBN: 1566637759
ISBN 13: 9781566637756
Format files: PDF, Epub, DOCx, TXT
The size of the: 4.64 MB
Edition: Ivan R. Dee Publisher
Date of issue: June 1st 2008
Reader ratings: 4.8
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Withheld from publication in France for twenty-nine years after his death, and now in English for the first time, Camus's final journals give us our rawest and most intimate glimpse yet into one of the most important voices of French letters and twentieth-century literature. The first two volumes of his Notebooks began as simple instruments of his work; this final volume, recorded over the last nine years of his life, take on the characteristics of a more personal diary. Fearing that his memory was beginning to fail him, Camus noted here his reactions to the polemics stirred by The Rebel, his feelings about the Algerian War, his sojourns in Greece and Italy, thinly veiled observations on his wife and lovers, heartaches over his family, and anxiety over the Nobel Prize that he was awarded in 1957. As in the earlier Notebooks, we see here also the birth of some of Camus's greatest works: The Fall, Exile and the Kingdom, and his unfinished masterpiece, The First Man. His gorgeous travel descriptions, his political observations, and his philosophical musings are the most appealing features of these recorded thoughts. Notebooks 1951-1959 completes one of the most important set of literary "working papers" of the past century. Ryan Bloom's sensitive translation was shortlisted for the French-American Foundation and Florence Gould Foundation translation prize for nonfiction.

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Ebook Notebooks 1951-1959 read Online! Albert Camus (1913-1960) was a representative of non-metropolitan French literature. His origin in Algeria and his experiences there in the thirties were dominating influences in his thought and work. Of semi-proletarian parents, early attached to intellectual circles of strongly revolutionary tendencies, with a deep interest in philosophy (only chance prevented him from pursuing a university career in that field), he came to France at the age of twenty-five. The man and the times met: Camus joined the resistance movement during the occupation and after the liberation was a columnist for the newspaper Combat. But his journalistic activities had been chiefly a response to the demands of the time; in 1947 Camus retired from political journalism and, besides writing his fiction and essays, was very active in the theatre as producer and playwright (e.g., Caligula, 1944). He also adapted plays by Calderon, Lope de Vega, Dino Buzzati, and Faulkner's Requiem for a Nun. His love for the theatre may be traced back to his membership in L'Equipe, an Algerian theatre group, whose "collective creation" Révolte dans les Asturies (1934) was banned for political reasons.

The essay Le Mythe de Sisyphe (The Myth of Sisyphus), 1942, expounds Camus's notion of the absurd and of its acceptance with "the total absence of hope, which has nothing to do with despair, a continual refusal, which must not be confused with renouncement - and a conscious dissatisfaction". Meursault, central character of L'Étranger (The Stranger), 1942, illustrates much of this essay: man as the nauseated victim of the absurd orthodoxy of habit, later - when the young killer faces execution - tempted by despair, hope, and salvation. Dr. Rieux of La Peste (The Plague), 1947, who tirelessly attends the plague-stricken citizens of Oran, enacts the revolt against a world of the absurd and of injustice, and confirms Camus's words: "We refuse to despair of mankind. Without having the unreasonable ambition to save men, we still want to serve them". Other well-known works of Camus are La Chute (The Fall), 1956, and L'Exil et le royaume (Exile and the Kingdom), 1957. His austere search for moral order found its aesthetic correlative in the classicism of his art. He was a stylist of great purity and intense concentration and rationality.


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